Archive for the ‘Other Photography’ Category

When my good friend and Event Planner, Carolyn Hefner of The China Closet, called me to photograph a birthday party, I didn’t hesitate! When I meet a potential client who has hired Carolyn, I know they are serious about having an incredible event! I have photographed a few spectacular birthday parties for Carolyn’s clients in my career, so I knew that this was going to special! Alan’s party took place at a really cool place called Stage 3. It is an actual photography and production studio with a huge sound stage area for photographing large products like automobiles! What an awesome setup for parties as well! It provided for a perfect background to project graphics, videos, and colorful lights to enhance the festive environment! The theme of Alan’s party was centered around the two cities he lives in, Detroit and Las Vegas. A club scene on one side with a DJ, video and dancing, and Las Vegas on the other side, complete with the famous Vegas sign, showgirls and gaming! Alan and his Cranbrook High School friends had a ton to do! I personally felt right at home, having lived in both great cities myself! Alan, without a doubt, will never forget this incredible birthday celebration!

Check out some of my favorite photos and scroll to the bottom of the post to see even more photos in a highlight slide show!

I am just about to see an end to the slow season for weddings as we approach May and June, but I wanted to put up a post for those who follow my work – just in case you thought I disappeared!

Every once in a while, I come across a photo that I captured from a wedding a few years back (in this case, 09/2008), that I had forgotten about. In my last post, I spoke about the various elements that I believe make a good documentary photo and how I strive to find those elements in each of my photographs. I also spoke of a forth element, saying “It’s difficult to describe what makes up the fourth element, but it is that “something” that draws you into the photo, a story that is either conveyed concretely or, perhaps, not so concretely, but lingers as a mystery that causes you to stop, stare, and wonder.” The following photograph is an image, that in my humble opinion, is one that possesses the forth element. Again, it is difficult for me to describe why, but the word “timeless” is what is in my thoughts when I look at it.

Kelly’s Detroit Yacht Club wedding was beautiful and she was a beautiful bride. I remember being struck by the closeness of her family. Because she and her father are silhouetted by the window light, you would never know the identity of the bride unless she told you or showed you her wedding photos. I think that might be one of the reasons this image takes on a life of it’s own. It could be any bride with her father. These final moments before her father would walk her down the aisle almost provide the feeling that there is no other moment more precious than this: the anxious bride with the man who provided and protected her all these years to bring her to this very time of handing her off to the one who would replace him as the man of her life: her groom. I am especially sensitive to father/daughter relationships because I have two daughters. One is married and I could not photograph her wedding because I was afraid I would be too emotional. So an image like this speaks to me directly.

The funny thing is that I had forgotten about this photograph. I don’t think I have ever showcased it on my blog or in a photo contest. To me, this just proves my point all the more: a photo that has this forth element is “timeless.” It maintains its beauty or significance over time and represents something deep about the human spirit. It’s appeal is like a fine wine that matures with time. Do you agree?

I have been very fortunate for the last string of six years. I have been selected each year with having one or two of my clients’ weddings featured in bridal magazines. 2009 was a great year in terms of my having the honor of photographing several beautiful and elegant weddings. Several of them, in my opinion, were worthy of magazine publication. My clients, Rosemarie and Sam D’Angelo, was certainly one of those weddings and the magazine, Metro Detroit Bride agreed. In fact, not only were their images published, but the wedding was the feature wedding and provided us with a two page spread. Click here to see their blog post link from last September, and here to see their wedding highlight slideshow. Congratulations Rose and Sam!!!  One Special Note: Carolyn Hefner, Wedding Planner Extraordinaire of the first class China Closet, was somehow left off the list of vendor credits.  Without Carolyn’s focused attention to details, creative vision, and meticulous planning, the day would have fallen short of the extraordinary event it became.

I had the honor and pleasure of photographing Paulas surprise 50th Birthday party. It was held at the Birmingham-Bloomfield Art Center and was masterfully planned and coordinated by Carolyn Hefner of The China Closet Carolyn and I have worked together many times for weddings and special events and this one did not disappoint! First, I hadnt photographed an event prior that was only for women! Oh my gosh!!! I cannot remember having so much fun photographing a party!!!! It began with all of Paulas sisters and friends arriving in a chartered bus by Blue Drive City Club to surprise Paula at her home. After being chauffeured to the Art Center, the ladies were entertained throughout the evening to the popular vocals of Stacey Mason of Music by Stacey Mason Trio, the superb cuisine was provided by Lakeland Banquet Center two fortune tellers, belly dancing lessons by Lana the Belly Dancer and Karaoke by Aaron K. All the decorations were made by Special Events Rental and flowers by the expertise of Ralph Bellisario of Bellisario Florist.

Enjoy the slide show below of the this great birthday party!

Recently, I submitted two articles to Southern California’s Wedding Compass blog: the first one was posted here on my blog last week, about the different styles of wedding photography. The article below was my second submission that is more personal and emblematic of my passion and style. In writing this article, it is my hope that potential clients, other wedding vendors and photographers will have a better understanding of what defines a wedding photojournalist and what sets one apart from another. Please feel free to add any comments or questions you have to these posts.


The Real Wedding Photojournalist

So what is a true “wedding photojournalist?” He/she is a photographer who is dedicated, from beginning to end, to photograph a wedding like a Time Magazine photographer might photograph the “day in the life” of President Obama. His/her desire is to capture the actual story of the day with all the emotion, drama, and reality that develops without any prompting whatsoever. A client who selects a wedding photojournalist or a documentary wedding photographer should be doing so because they are not interested in contrived, staged, posed or set-up style photographs that their photographer creates for the sake of making a “perfect” photo. This client has no interest in having photographs made that are more like illusions or portrayals of truth, controlled by the photographer. A client choosing a documentary style photographer does so because they desire for their photographer to capture the reality of the day with all it’s beauty and all it’s flaws. Emotional, spontaneous, quirky, unique, energetic images of the day that a skilled and artistic photojournalist will seek to capture, with careful anticipation and thoughtful composition.

The wedding photojournalist usually arrives well before the bride is dressed and stays until they take the last photo of the bride and groom well into the reception. At times, finding him/herself up close and personal so that the photographs make the viewer feel as if he/she is a participant of the moment. Other times during the day, the wedding photojournalist steps back to seek imagery that includes the environment and elements within the scene to help make interesting compositions. These images are those that you would find as a single image used by a magazine that provide much detail. The who, what, where, why questions are all answered in one image. The end result is a narrative collection of images that show actual emotions and experiences of the days events.

A true photojournalist will not work off a list of photographs that the bride provides him/her (except the list of formal portraits). The goal of the photographer is to allow the day to happen without any intrusion. The photojournalist stays out of the way as best as he/she can and allows the personalities and memories to develop without any help. A traditional or hybrid photographer will either work off a list provided by the client or have a memorized list of “must have” photos he/she accomplishes each and every wedding: the same pose or set up, just different bride and groom. The perfect client attracted to the style of a wedding photojournalist is more interested in having a collection of photos that are real to life, memories of their unique day, photos that will show how the day actually unfolded, and are not concerned about making sure everything looks perfect. If you are requiring your photographer to create “illusions” of reality, employing him/her to contrive and stage the photos to ensure they portray moments of “love”, “passion”, and “happiness” that the photographer directs (something more like a fairy tale), then you should be more inclined to choose a traditional or hybrid style photographer.

Photojournalism is a skill, not just the name of a style of photography. The very best wedding photojournalists have the unique talent of anticipating and capturing moments and simultaneously able to position themselves so that they frame their images in powerful compositions that tell a story in a single photograph. Often a photographer using this style has experience in journalism – newspapers, magazines, etc. If not, the wedding photojournalist learns his craft through finding inspiration from those who have media backgrounds. They find their inspiration from outside the world of wedding photography, studying great journalists and media photographers like Henri Cartier Bresson, Sebastião Salgado and James Nachtwey. They also associate themselves and collaborate with wedding photographers around the world who having had prior journalism backgrounds, who have made the successful transition into wedding photography.

Many photographers claim they are wedding photojournalists because they capture “candids” during the wedding day to some degree. There is a difference between candid and documentary photos, however, which separates a true wedding photojournalist from every other wedding photographer. There are some pure photojournalists who will not pose one single photograph through out the day. These purists typically won’t lift a finger to “beautify” a messy bride’s room, or move details, like the bouquet or the bride’s shoes, to better light or a more pleasing setting. There are those photojournalists who do fudge a little and break the rules for staging some portraits and provide some creative license when photographing inanimate objects like the bride’s jewelry, flowers, and hanging dress. For those “less pure” photojournalists, their breakdown between posed and documentary style is more like 3 to 5% posed/contrived, 95 to 97% non-posed. A more “hybrid” style wedding photographer will have ratio of posed to candids in the range of 30/70 or even 50/50.

If you are not sure whether your photographer is truly a photojournalist or more of a hybrid style photographer, look at his/her complete work. Ask him/her to show you a complete set of proofs from one wedding. Also, what does he/she show mostly on their blog or website? Do you have to really look hard for posed or contrived images or are they displayed just as prominently as their candid and documentary photos? You will know that your photographer is a true photojournalist if you have to search through hundreds of proofs in one wedding before seeing your first posed image or if you have to flip through several pages of the photographer’s sample albums before finding a few posed images.

Moments of time are “momentary,” never to happen again. A wedding photojournalist doesn’t create moments, he specializes in capturing them as they naturally happen.

Recently, I submitted two articles to Southern California’s Wedding Compass blog: the first one, about the different styles of wedding photography, is listed below.  As much as I strive to find clients who desire a documentary style for their wedding photography, I still am asked, especially if there is an hour or two between the ceremony and reception, to provide portait, or semi-posed, photography.  Examples of my work from three different styles  are displayed below.  If you like this article, check back next week to read my second post called “The Real Wedding Photojournalist.”  Please feel free to add any comments or questions you have to these posts.

Defining Wedding Photography Styles

Trends in wedding photography basically fall into the following categories: “traditional or posed photography” (the wedding photographer basically is in control of the entire day, directing and leading a series of portaits at each location). The following images are my most traditional, portrait-like that you would see throughout a traditional wedding photographer’s coverage of the day:



A “hybrid” photographer attempts to provide both traditional and candid photos (this style probably represents most wedding photographers today). The following are images that still required my direction and placement, but sought to be more artistic and to create an outcome that “appears” to be spontaneous:



“Photojournalism or documentary photography” (the wedding photojournalist sees the day as an opportunity to capture real moments, documenting the day as it unfolds). The following images are completely spontaneous. The images are unique and allow for the real story of the moment to be captured:



Understanding the differences is crucial for any bride and groom so that they avoid disappointment with the results that their wedding photographer provides. This should be a discussion that should take place during the first meeting between the photographer and the potential client. To be sure, there are hundreds of weddings photographed each year, that as a consequence to a lack of communication or understanding, result in unhappy clients with their wedding photos. In some cases, utter depression results with the knowledge that the photos can never be re-captured again.

A big reason that contributes to this lack of understanding wedding photography styles is because the styles themselves are not always clear. There can be somewhat of an overlap between traditional, photojournalism, and hybrid styles that, not only is there confusion with the client’s understanding, but even with many wedding photographers as well!

Wedding Photojournalism is perhaps the one style that is most misunderstood. The term “wedding photojournalism” gets thrown around like the drinking beverage Coca-cola does when people want a soft drink, or Kleenex does when people need to sneeze. “I need a coke” doesn’t necessarily mean the person wants a specific flavor or brand of beverage to quench his thirst, nor does a person with a head cold saying “do you have any kleenex?” mean that he will only use the brand Kleenex to cover his nose when sneezing! In the same way, a photographer saying he photographs weddings as a photojournalist, could mean a variety of things. To some it might mean that the photographer captures a lot of candids during the day but he/she may also “stage” some of the photos. To another it might mean that the photographer will not pose a single image during the day or impose himself that would affect the outcome of the moment for the sake of a better image. To even another it might mean that his photos are always semi-staged, but the couple is told to “act natural or to laugh” on demand, “pretend no one is photographing (them),” or “don’t look into the camera while the (photographer) is capturing images!” Also, just because a photographer includes capturing “candids” during the day, it doesn’t make him/her a photojournalist.

Considering the three categories of styles listed above, there is a tendency for the “hybrid” style photographer to mistakenly call him/herself a “wedding photojournalist.” The same is often true with the bride who decides she likes the style of a hybrid photographer, and ends up hiring someone who is really a photojournalist. There is nothing wrong with a hybrid style photographer. In fact, his/her style may be the most sought after today across the country. Usually he/she is an expert at making stylistic and creative portraits of the bride and groom. His/her images usually are perfect and natural looking. Above and beyond the traditional photographer, he/she introduces fashion and an editorial style photography in his/her imagery. The great wedding photographers of Australia like Yervant and Jerry Ghionis have lead the way in this style in the last decade and many reputable photographers in California have mastered it as well. The hybrid photographer finds a great location with bright colors, interesting textures, or perfect lighting within a gorgeous setting, and then semi-directs the couple to stand in a position and act care free, or forget that the photographer is there and laugh and kiss as if they are the only two people in the world. If the couple is willing to be expressive and have fun with one another, the imagery created is reminiscent of the photos found in today’s popular magazine ads. When the hybrid photographer is not posing and staging his couples, he changes his style and approach by capturing candid photographs of the day. I would say that the breakdown between posed and candid is anywhere from 30/70 to 50/50 of the days coverage.

In conclusion, here is some basic advice in deciding upon the style most suited for your wedding: 1) choose a wedding photojournalist to document your wedding day if you want unique photographs designed to tell the story of your day as they naturally and truly unfold and if you prefer that your photographer stay out of the way and allow you to spend most of your day interacting with your guests. 2) If you would rather have perfect images that require your photographer to interact with you, control the timing and flow of events throughout the day, use his expertise for utilizing perfect lighting techniques with reflectors and umbrellas and soft boxes, with very little candid-style photography, then I would suggest finding a traditional portrait-style photographer. 3) If you want a healthy balance of both posed and candid photos, a photographer who enjoys staging creative, magazine like imagery and capturing candid moments “whenever possible,” finding a great hybrid photographer will be your best selection. How can you know for sure what your photographer’s style is? Ask him/her to show you photographs from complete weddings, not just his best work. By looking through the entire coverage of the day, you will be able to determine whether the photographer is a traditional portrait-style photographer, photojournalist or hybrid photographer.

Reflective Moments

February 3, 2010

I love finding moments from a different point of view. When you were a kid, did you ever find yourself fascinated with looking at reflections through windows, or maybe in a pond, and seeing two worlds at once? You could see through the window inside the house or through the pond and the life underneath, but you could also see the outside world that was being reflected when the light was perfect. I loved finding those realities as a kid and I love finding them as a wedding photographer!!!

Recently, I had the opportunity to pop in on a wedding my Las Vegas associate, Rudy Ortega, was photographing at Canyon Gate Country Club in Las Vegas. Having camera in hand, I was ready to find a few artistic moments. The scene above is of the bride and her father walking to the door inside the club house to the patio outside where the guests are seated and wedding party waiting for her arrival. Standing outside on the patio, I am shooting into the window, looking inside. You are looking at a reflection off the window of the scene outside, the bride and her father are not a reflection. I was able to catch this moment as Alexis and her dad happened to be walking into a pool of light from the sun shining through the window, allowing both the inside world and out side world to be seen simultaneously.

Do you like the photo? I would love to hear your comments.

I have been very fortunate over the years to have clients who have celebrated their weddings at one of the top venues in metro Detroit, the historic Oakland Hills Country Club.  This December, I was given the wonderful honor to photograph the prestigious country club’s President’s Ball. It was a beautiful and classy event, completely decorated for the holiday season!  In addition to providing portraits for the incoming and outgoing officers, I spent the entire festive evening capturing images of the celebration.  The night was meticulously overseen by OHCC’s Director of Catering, Margarita Garcia.  Decor was provided by one of Michigan’s finest, Ralph Bellisario of Bellisario Florist.  Music was provided by metro Detroit’s premier band, the one and only Simone Vitale Band.  Enjoy some of the highlights below.

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It seems that my slow season is getting shorter and shorter each year!  I usually try to get caught up on marketing materials, like updating the website, making new brochures, getting together with other wedding vendors, etc.  This year I concentrated on rebuilding my blog (it went down with my website last summer when the host’s server crashed!), building a Ray Anthony Photography business page on Facebook (click here), judged a ISPWP (International Society of Professional Wedding Photographers) wedding photography contest of approximately 800 photos, attended the annual WPPI (Wedding & Portrait Photographers International) convention in Las Vegas, and worked on perfecting my photography skills – particularly my eye and technique for photojournalism.

To do that, I participate on a forum called the Foundation Workshop which has many current or former news photojournalists also participating and who have become wedding photographers.  I collaborate with this very talented group throughout the year critiquing each others’ wedding photography and sharing business ideas.  It has proven to be an immense help because my background was in working in the movie industry as a camera assistant as well as photographing weddings in a more traditional way (mainly in the 1990′s). This past February, I had an opportunity to be a student at their annual workshop called FW7.  The purpose of the workshop is to put wedding photographers into a real life situation for a couple of days to photograph it like a newspaper or editorial style photographer.  I did it because I wanted to be challenged by the countries best photojournalists.

I was fortunate that my mentor was Greg Gibson – a two time Pulitzer Prize winning photojournalist.  During the late 1990′s, he was assigned by the A.P. to be President Bill Clinton’s personal photographer!  You can check out Greg’s blog where he put a post about FW7 and mentions myself and the other students that he mentored.  You can also see some of my work there.  Click here. I was given the assignment to photograph a major rodeo in Fortworth, TX.  I was fortunate that a rodeo clown/bullfighter, named Dusty Tuckness, allowed me to follow him around for two days.  If you want to see more of the photographs I captured, check out this slideshow of images,  see below:


Las Vegas Wedding Project

March 10, 2009

I participated in a very cool project that took place on Valentine’s Day, 2009. The goal of this project was to photograph weddings Vegas style! I was fortunate to be given access to The Little White Wedding Chapel, which also happens to be celebrating it’s 50th Year Anniversary! I loved every minute of it!!! I was not commissioned by the couples that I photographed and I was particularly interested in finding Ray Anthony “moments” within this unique-to-Las-Vegas-only setting! There is a possibility that some of these photos will be published in a book that celebrates the project. You can also check out the awesome work of other photographers on the following blog: click here. Check out some of the photos below to see what I mean! Don’t hesitate to let me know what you think!

Click to continue reading “Las Vegas Wedding Project”


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